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From May 4 to September 9, 2024, a landmark exhibition dedicated to The Red Studio (1911) by Henri Matisse (1869-1954) is being presented at the same time as a new retrospective of the work of Ellsworth Kelly (1923-2015).

To celebrate the centenary of the artist’s birth, “Ellsworth Kelly. Shapes and Colors, 1949-2015” will be the first exhibition in France to offer a broad overview of the work of this significant artist of the second half of the 20th century - both in terms of its chronology and in terms of the media on display.
Organized with Glenstone Museum (Potomac, Maryland) and in collaboration with the Ellsworth Kelly Studio, the exhibition brings together more than 100 works: paintings and sculptures as well as drawings, photographs and collages. The exhibition has been supported by loans from international institutions (the Art Institute of Chicago, Kröller-Müller Museum, Museum of Modern Art, San Francisco Museum of Modern Art, Tate, Whitney Museum) as well as private collections.

To celebrate the centenary of the artist’s birth, “Ellsworth Kelly. Shapes and Colors, 1949-2015” will be the first exhibition in France to offer a broad overview of the work of this significant artist of the second half of the 20th century - both in terms of its chronology and in terms of the media on display.
Organized with Glenstone Museum (Potomac, Maryland) and in collaboration with the Ellsworth Kelly Studio, the exhibition brings together more than 100 works: paintings and sculptures as well as drawings, photographs and collages. The exhibition has been supported by loans from international institutions (the Art Institute of Chicago, Kröller-Müller Museum, Museum of Modern Art, San Francisco Museum of Modern Art, Tate, Whitney Museum) as well as private collections.

To celebrate the centenary of the artist’s birth, “Ellsworth Kelly. Shapes and Colors, 1949-2015” will be the first exhibition in France to offer a broad overview of the work of this significant artist of the second half of the 20th century - both in terms of its chronology and in terms of the media on display.
Organized with Glenstone Museum (Potomac, Maryland) and in collaboration with the Ellsworth Kelly Studio, the exhibition brings together more than 100 works: paintings and sculptures as well as drawings, photographs and collages. The exhibition has been supported by loans from international institutions (the Art Institute of Chicago, Kröller-Müller Museum, Museum of Modern Art, San Francisco Museum of Modern Art, Tate, Whitney Museum) as well as private collections.